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home is in new york city, but currently lives in ohio, student at oberlin college, published poems in enchiridion magazine and the 2003 anthology saint ann's at teachers and writers, also make plays and movies. former intern at soft skull press in brooklyn, new york.
My mother is making a movie 
  on the subject of regret. Don't worry 
  about telling my father-he already knows 
  and his heart isn't even broken. This poem is 
  just the facts-it seems unlikely 
  but I live in the apartment-equivalent 
  of a circus-cat's cream-puff. My whole 
  family is fascinated by foodstuffs 
  converted into homes. 
In the notebooks left lying on the mail-table
  the movie was shots of an ash-blonde 
  nurse stuffing cigarettes in the freezer,
  waving goodbye to her dad as he drove 
  off. Then it changed to a work 
  in which ballets happen 
  in fish-tanks, lovers call 
  to the lonely from inside TVs.
  Finally filmed, the thing 
  contains sympathetic inanimates 
  and one woman singing 
  in multiple climates.
Now mom wants to tack 
  on a scene about staring 
  into other people's windows, 
  admiring their dishware and their 
  husbands, their rolls in baskets. 
  But she can't just add any old thought 
  that makes her feel a bit wet 
  in the eyes-it would certainly 
  promote a lack of focus. There 
  was a night when I stood, nightgowned, 
  on some swooping lawn, staring at the side 
  of a house-it looked like the shadowy 
  cross-section of a human head with 
  top-hat. Shivering from the hip down,
  I watched the punk-boy inside 
  move into the dark archipelago 
  of his room and lay himself 
  down to sleep.
I met a girl in a jaunty 
  bonnet. She skipped along 
  the sidewalk as if it were a barn 
  beam. Like a child of Prince Edward Island, 
  her skirts sailed behind her. Maybe that's why 
  it was so odd to see her sucking a cigarette 
  in the jaundiced shadow of a streetlight. Her eyes 
  hung on her face like two felt hats. From the bathroom 
  stall beside me she told me her curse- at close range 
  I realized she was heavily furred, that there 
  was eggy blood in her fur. She said she could 
  only ever think about men, write about them, 
  dream she was on rafts with them. I said “I may 
  have the same problem. I wish I could write
  about groups of foxes skipping or the sunsets 
  that I see, raccoons with their babies in their 
  teeth.” But she said “No you don't. 
  No you don't.”


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